AUDITION NOTICE 

Auditions to complete the cast of The Fantasticks will be held on Wednesday, April 23rd at 7pm at the Steve W. Shepherd Theater located at 1668 Hwy 87 South in Fredericksburg.  The Fantasticks, a small-cast musical is an allegory tale told in a light, simple, poetic, theatrical style. The characters often deliver dialogue in verse form.   Auditions will include singing and taking direction while reading portions of dialogue from the show.

The following male roles are open for audition:

EL GALLO: the Narrator of the story; requires a strong baritone singing voice with smooth upper range. Vocal range is A2-F4. Characterization: El Gallo is a suave and appealing hero-type with a bit of mystery thrown in; he has key songs and dialogue throughout so the speaking voice must be commanding and diction must be articulate. Age minimum: 25. SINGING AUDITION: Try to Remember and It Depends on What You Pay (from the show) or something similar.

HUCKLEBEE and BELLOMY: the Father of the boy and the Father of the girl; they are on stage together in most scenes; these roles do not require great singing voices but they must be pleasant; their songs are in the style of articulating clever lyrics rather than pretty melodies; must be able to sing independent harmony in duet with the other. Vocal range is A2-F4 but most of the singing is in the easy mid-range of a baritone. Characterization: They are both single dads conniving to marry off their only child. The result is humorous and more than they bargained for. They are primarily comic characters but must play poignancy as well. Age minimum: 40. SINGING AUDITION: Sing something upbeat under 2 minutes that shows the ability to articulate lyrics. Examples: Plant a Radish or Never Say No (from the show) or something similar.

Performances are Thursday-Sunday, August 7-10, 2014 – Thursday, Friday and Saturday at 8pm and Sunday at 2pm.  The composer, Harvey Schmidt, is expected to be in the audience opening night! FTC founder Jeryl Hoover will direct this production.

For additional audition information, please contact the production director, Jeryl Hoover at jerylhoover@mac.com.
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Oh, the horror images about auditions! People often have this mental picture of standing all alone on an empty stage with a blinding spotlight in their face while a disconnected godlike voice from the back of the room says nasty things about you then hollers, “NEXT!!”

Well, banish those thoughts from your imagination when you think of FTC. It is a Company policy that we make auditions as pleasant as possible so people will come back over and over to try for a spot in a show. Can you see how foolish it would be for us to make you hate to audition? We’d never get anyone to be in our shows, and we’d miss out on some really great talent!

FTC auditions are friendly, open, accepting, and encouraging. We know that people can feel especially vulnerable when being judged on how well they could be taught to sing or act. We are a community theater, and although we want to cast the best people we can find, we do not take ourselves so seriously as to make anyone feel like they’re auditioning for a Broadway road show!

What happens in an audition?

Simply put, you are given the opportunity to show the director what you can do.

You will come to the theater at the appointed time and fill out a form to turn in to the audition coordinator. Everyone who is auditioning will be in the theater during auditions. When the director calls your name you will go up on stage. The director will be right up close, probably on the first or second row. He might ask you some questions to get to know more about you and to make you feel at ease.

Then he will ask you to present what you have prepared. You will be given the opportunity to start over if you mess up (which we’ve all done many times!).

Our goal is to make the conditions right so when you’re finished, you feel that you really did show the director what you can do that might win you the part.

What should I prepare for an audition?

FOR MUSICALS: You should sing something that shows off your voice. Sing in whatever style fits you best. An accompanist will be there to play for you, or you can bring your own or a CD or tape accompaniment.

FOR PLAYS: You will be asked to do cold readings from the script provided at auditions.

FOR BOTH MUSICALS AND PLAYS: You will read a portion of a scene from the script with other people who are there to audition. Sometimes the director will ask you to read the part of a character you hadn’t considered trying for. That’s OK. He may see something in you that causes him to think you might be right for another role.

Here’s a HINT: Most scripts for musicals and plays are available in a library or for purchase online. Those who become familiar with the script ALWAYS have a better audition. It also demonstrates to the director the attitude he’s looking for, that you’re a self-starter who would work hard to make the show a success.

How does the director decide whom to cast?

Many factors are considered. Besides the obvious ones of determining whether you could be successful at singing or acting the role convincingly, the director must consider your height, body type, and age. He also considers who else might be cast and whether you’d be the right partner.

Sometimes people have their hearts set on a part that simply isn’t right for them. The director knows what he needs to make the show a success, and he is doing you a favor by not casting you in such roles.

What is the director looking for in an audition?

Besides the obvious – hearing you sing and speak, he is trained to look for potential that might not come through in an audition. He knows the process of bringing out the best in a performer, so he not only considers what you do in an audition, but also what he believes you could do with the self-confidence that comes from getting the part.

He is also looking for people who want to be team players. Sometimes he has to go with hunches about whether the person auditioning would bring the right attitude to the project.

What are some tips for giving me an advantage in an audition?

1. Be prepared. Learn about the show you’re auditioning for before coming. Know something about the role(s) you want. Know when the show is going to be performed.

2. Be energetic. Speak audibly and clearly. Listen to the director for instructions in the audition. Ask questions if you don’t understand something.

3. Make an impression. Take some risks. Don’t just play it safe. The director is not only looking for people who can sing, dance, and act. He’s also looking for a certain kind of attitude. That attitude is revealed by your eagerness, openness to being directed, and the ability to overcome fear.

FINAL THOUGHT: By showing up prepared and giving your all in an audition, you will impress the director that you would succeed at playing the role.